There is very little production history on this film, though I am curious as to how it could be farted out in such a timely manner and still be quite good. (Is this really a Ratner film?) Maybe because of the source material is already at the disposal of them. I will say this: too bad about the critical and commercial bomb, After Sunset (his follow up to this). Because this one here got Ratner a lot of the right attention. And then he ruined all the good rapport with the audience and critics alike. "Feign surprise!" as Liz Lemon would comment. Easily his best film to date in front of the original Rush Hour. Hell, even my damn mom thinks Rush Hour is raw son.
But wait! There's more!
