We open at night, with MI6 agent Andy Osnard standing broodingly at a large window, looking out onto a city bridge in London and pondering. He is getting the "Siberia" of assignments, for a mishap we do not yet have all the details for. Andy get orders for Panama, he's taken a back, we then seem to understand his plight, a company screw-up in deed Andy...
Then we meet the tailor of Panama (Rush). He is giving his finest display of his renowned excellent service to a customer. The kind of service you'd pay to get from an Englishman tailor with a respected, high end boutique shop in Panama. Then we watch him, uh... tailoring? Sizing and cutting, there we go. Sped up a few more frames per second for us as Geoffrey Rush applies the smooth technique of making clothing, and making it very well. He looks every bit a tailor at work, and yet, holds a confidence about himself, that says something else to us as well. I liked how this film started off, not to mention the sultry Spanish orchestral jam, singing in our ear music the whole time.
I didn't mind it at all.
But wait! There's more!
Showing posts with label Leonor Varela. Show all posts
Showing posts with label Leonor Varela. Show all posts
Thursday, July 8, 2010
Joie' De Vivre On Celluloid: The Tailor Of Panama
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